Queen Latifah, Super Mario, Madonna, Mariah Carey, Daddy Yankee and mariachi music are the latest additions to the U.S. National Recording Registry, which means a selection of their recordings have been dubbed “audio treasures worthy of preservation” by the Library of Congress.
“The Equalizer” star Queen Latifah made history as the first female rapper with a recording in the registry thanks to this year’s inclusion of her 1989 album “All Hail the Queen,” which includes the feminist anthem “Ladies First.”
“Her album showed rap could cross genres including reggae, hip-hop, house and jazz — while also opening opportunities for other female rappers,” the library said Wednesday.
The instantly recognizable “Super Mario Bros.” theme music — officially known as the “Ground Theme” — became the first music from a video game to enter the registry Wednesday when the library announced this year’s selections. The tune, written by young Nintendo composer Koji Kondo in 1985, appeared in dozens of iterations of the iconic video game and most recently in the box-office smash “The Super Mario Bros. Movie.”
Kondo, 61, told the Library of Congress that he had to be “very innovative and make full use of the musical and programming ingenuity” available to him at the time to record the motif because the amount of data he could use for music and sound effects was extremely small.
“I used all sorts of genres that matched what was happening on screen. We had jingles to encourage players to try again after getting a ‘game over,’ fanfares to congratulate them for reaching goals, and pieces that sped up when the time remaining grew short,” he said through an interpreter.
Additionally, Madonna’s breakthrough 1984 album “Like a Virgin,” Mariah Carey’s 1994 holiday classic “All I Want for Christmas Is You” and Daddy Yankee’s explosive reggaeton single “Gasolina” from 2010 are also among “the defining sounds of the nation’s history and culture,” the library said. “Gasolina,” the first reggaeton hit to be included in the registry, helped the Panama-rooted musical genre cross over from Latin radio to wider audiences and launched Puerto Rican rapper Daddy Yankee onto the global stage. His single’s appeal was so great, the library said, that it “even moved some radio stations to switch formats from English to Spanish to tap into this revolution.”
Read more of the article originally posted on LA Times here.
